The Pretty Reckless are back with the bandâs fourth album, this album is the first released without the late producer Kato Khandwala, who previously worked on all The Pretty Recklessâ albums.
The album jumps straight into it with the title track, giving you a raucous of twangy guitars, backed with a great drum beat, before settling behind Taylor Momsenâs piercing voice. The song seems to reference the notorious âClub 27â – a group of artists that have died aged 27, including Kurt Cobain and Amy Winehouse – with lyrics like âI want to go with a shotgun blastâ and âI wanna go with this bottle in my veinsâ, with the track being released as a single shortly before Momsonâs 27th birthday.
The track also seems to start the album by paying homage to the bandâs late producer Kato Khandwala, who sadly died on April 25, 2018 following a motorcycle crash. Lyrics like âI wanna go with a motorcycle crashâ seem to reference this directly, whilst âJust put “Death by rock and roll”â Taylor revealed in an interview with Paper Magazine to be âa line that Kato used to say all the time.â
âOnly Love Can Save Me Nowâ follows, taking clear influences from 90âs grunge acts like Soundgarden, which makes sense with its features of Pearl Jam/Soundgardenâs Matt Cameron and Soundgarden’s Kim Thayil. âAnd So It Wentâ follows the same feeling as the previous track. The track features a tasty guitar solo from Tom Morello. The songs have a dark and gritty feeling.
â25â sounds like it could be a bond theme, starting with a clean guitar before further building with an almost militaristic drumbeat. The track shows off Taylor Momsen’s vocal range, going from light whispering to screaming the chorus. The song sees Momsen reflecting on her life. A great single.
âMy Boneâ features a drumbeat that I feel wouldnât be out of place on an Alestorm album, sounding like a good âweighted rowing beatâ. The song has a wonderful moment halfway through where it kicks the beat away before exploding into something that feels like a totally different track, the beat then makes a return toward the end.
âGot So Highâ slows the album down showing off Momsenâs godlike voice, on a gentle acoustic guitar, and some light drumming. The track is one of the highlights from the album. Later in the album âStanding At The Wallâ gives us another taste of this acoustic style, again putting Taylor’s talented vocals at the forefront, before breaking into a majestic explosion of sound, with violins and drumming complimenting the front woman’s voice well.
âBroomsticksâ makes for an odd addition to the album. The Halloween single/Interlude/Poem thing was used to announce the release date of the single â25â with its official video. The track is a far turn away from the rest of the album’s strong rock-leaning. An inoffensive 30 seconds, but also a pointless 30 seconds. âWitches Burnâ brings the album back onto its rock path, albeit a slower track with strong guitars, the track features a really catchy chorus.
‘Turning Gold’, starts with an unusual sound of a sitar, the instrument then leads into a pulsing beat, before adding more and more guitar layers. The track has quite an 80âs rock sound to it. The Sitar remains present in the background throughout the track, but is mostly covered by the rest of the instruments.
âRock And Roll Heavenâ feels like a goodbye to Momsen’s friend’s producer Kato and Momsenâs idol Chris Cornell – who died less than a year before Kato. The song references several artists including The Beatles, Jimmy Hendrix, Jim Morrison, describing it as âa garden full of soundâ a nod to the late Soundgarden singer. The song talks about how âEverything I am today is what you made of meâ talking about how Kato helped shape her. The song mixes some acoustic guitar, with some big electric guitar riffs. The track has a kinda southern feel to it. The album finishes up with âHarley Darlingâ the song is another dedicated to Kato, it has a country-rock vibe, and features a great sounding guitar solo. The song ends the album well.
This is a great album, that features several styles, taking influences from many great acts from across the years, throughout, which make it interesting to listen to several times. Thereâs lots here to love. âDeath By Rock and Rollâ becomes the bandâs best album to date, with the band maturing and honing their sound.
We see you like The Pretty Reckless! Follow us on Facebook, Twitter, or Instagram for the latest news about them.