Live Review: 2000 Trees Festival 2024 – Gallery And Recap

2000 Trees returned once more with headliner sets from The Gaslight Anthem, The Chats, and Don Broco. The festival prides itself on its sense of community and togetherness, as well as being one of the most diverse festivals in the UK.

As people arrived on Wednesday, a real feeling of excitement filled Upcote Park. Exit Child was the first band to hit the Forest Stage, greeting early arrivals with their high-energy performance that set an upbeat tone for the weekend. Kite Thief followed on the Word Stage, captivating the audience with their dynamic presence and tight musicianship. Lambrini Girl drew a massive crowd with their electrifying set, blending punk energy with infectious hooks. Dead Pony’s raw, gritty sound further amped up the atmosphere, their powerful performance drawing in even more festival-goers. The day took an exciting turn as the Euro Semi-Final game between England and the Netherlands was aired, creating an electrifying atmosphere as fans united in support. Boston Manor closed the evening with a headlining set that leaned heavily on their older material, offering a nostalgic trip for long-time fans and showcasing their evolution as a band.

Thursday morning kicked off with Cherym on the Main Stage, who brought a burst of early energy with their catchy punk rock tunes and engaging stage presence. The Oozies followed, delivering a set full of quirky, eccentric songs that kept the early crowd entertained. Meryl Streek took over the Neu Stage, laying waste with their intense and aggressive sound that resonated deeply with the audience. Dead Pony returned for their second performance of the weekend, this time on the Word Stage, upping the ante with even more energy and crowd interaction. Knife Bride’s heavy, aggressive set at The Cave provided a stark contrast, delivering crushing riffs and intense vocals. Meanwhile, AViVA wooed those in the Axiom Stage with her unique blend of dark pop and captivating lyrics. Cassyette stormed the Main Stage with a provocative performance, sporting the message ‘This World F**king Sucks’ across her body and delivering a set that was as visually striking as it was musically powerful. Boston Manor’s second performance of the festival at the Axiom Stage saw them teasing new material, building anticipation for their upcoming album. The Gaslight Anthem closed out the day with a headlining set that started with ‘Great Expectations’ and took the audience on a journey through their extensive catalog. Songs like ‘Biloxi Parish’ and ‘Positive Charge’ had the crowd grooving, and the night ended on a high note with an epic rendition of ’45’ featuring guest vocalist Andy Hull and a final explosive performance of ‘The ’59 Sound’.

Friday’s lineup featured a variety of performances across different stages. BEX kicked things off on the Main Stage with a set highlighted by the songs ‘Fight’ and ‘Sundae’, the latter featuring a fun bubble gun that added a playful element to their performance. Problem Patterns delivered a fierce and unapologetic set on the Neu Stage, their punk anthems resonating strongly with the audience. Burner took over The Cave, their aggressive metal sound shaking the tent and energizing the crowd. As December Falls brought their catchy pop-punk tunes to the Main Stage, engaging the audience with sing-alongs and high-energy antics. Crawlers followed, delivering a powerful set that showcased their raw emotion and musical prowess. Guilt Trip’s intense hardcore performance at The Cave was a standout, their relentless energy leaving a lasting impression. CLT DRP brought their experimental electronic punk sound to the Neu Stage, their innovative approach captivating the audience. Zetra closed out the Neu Stage with a set that blended dark, atmospheric elements with heavy riffs, creating a unique and immersive experience. The night culminated with Empire State Bastard headlining The Cave, unleashing their inhumane sound with a set that included ‘Stutter’, ‘Harvest’, and ‘Blusher’, closing with the menacing ‘The Looming’.

The final day continued the festival’s momentum with a series of stellar performances. Peach opened the Neu Stage with their dreamy, ethereal sound, providing a gentle yet captivating start to the day. Panic Shack brought their punk rock energy to the Main Stage, their infectious enthusiasm getting the crowd moving early. Cauldron’s set at The Cave was a heavy, riff-laden assault, satisfying fans of doom and sludge metal. The Xcerts delivered a heartfelt performance on the Main Stage, their emotive rock songs resonating deeply with the audience. The Mysterines followed, their dark and brooding sound creating a captivating atmosphere. House Of Women took over the Neu Stage, their intricate, melodic compositions providing a beautiful contrast to the heavier acts. Death From Above 1979 dominated the Axiom Stage with their powerful bass-driven rock, delivering a set full of energy and raw power. Creeper’s theatrical performance at the Axiom Stage was a highlight, their gothic punk sound and dramatic flair making for an unforgettable show. Don Broco headlined the Main Stage, bringing the festival to a close with an explosive performance complete with fireworks, confetti, and streamers. They opened with ‘Everybody’ and followed with hits like ‘Pretty’ and ‘Technology’, their infectious energy and crowd engagement making for a thrilling show. The crowd went wild during ‘Uber’, and the energy peaked during ‘ACTION’ with a guest appearance by Kid Brunswick. Their set ended with a bang, featuring ‘Fingernails’ and ‘T-Shirt Song’, leaving the audience on a high note. For those not ready for the festival to end, Delilah Bon’s Silent Disco live performance provided a fitting and exhilarating conclusion to an incredible weekend.

Overall, 2000 Trees delivered a phenomenal mix of community spirit, diverse music, and unforgettable performances, cementing its place as one of the UK’s most beloved festivals.

Check out our full gallery here: