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Itās fair to say As It Is have become a very different band since the release of their 2018 album āThe Great Depressionā, (The bandās third album which saw them treading into darker themes and trying to open a conversation about mental health) since it dropped the band have lost two members, Benjamin Langford-Biss and Patrick Foley (guitarist and drummer respectively), and like everyone else in the world have experienced one of the greatest catastrophes in modern times. The band had originally planned to follow up their 2018 album with a five track EP, however this was transformed into their new full-length āI Went To Hell And Backā during the trying times of the pandemic. The bandās fourth album promises to be āfourteen tracks [that] are powerful, playful and fearlessly chase the unexpectedā, here are my thoughts on āI Went To Hell And Backā.
I must admit with the release of the singles I was slightly worried going into this album, while lead single āIDGAFā, āI LIE TO MEā and the reference ladened hit āI MISS 2003ā caught me from first listen with their catchy energetic hooks, and great breakdowns, other singles needed a few more listens for me to get into them. Joint singles āILY, HOW ARE YOUā and āIDC, I CANāT TAKE ITā took a fair few listens and Iām still not keen on them, with their overly processed vocals and persistent poppy electronic beat of āILY, HOW ARE YOUā just doesnāt do it for me, but I love the drumming in āIDC, I CANāT TAKE ITā and feel itās the better of the two tracks. Now Iāve got used to both tracks coming up in my playlists, while Iām not overly a fan, I donāt turn either track off.
āIāD RATHER DIEā is the first non-single track on the album and it seeās the band leaning into their poppy electronic nature even further. Starting with distorted lyrics sounding like Charlie Brownās teacher, the track’s music is created with mostly synths and feels very clean. Itās hook is very catchy, but also makes the song feel extremely repetitive over itās 2:43 runtime.
Jumping from the poppy nature of the singles the album contrasts this with the punky/hardcore tracks, āIāM SICK AND TIREDā and āI WANT TO SEE GODā, both tracks that caught me on first listen. The energy on display across these tracks is incredible, and truly something I never expected from AS IT IS. āI WANT TO SEE GODā feels like a true hardcore song in the vein of Turnstile, whilst āIāM SICK AND TIREDā hits you with itās punky nature but keeps the bands catchy hooks. Both tracks had me wishing for more like them (hopefully on a future release from the band), and āIāM SICK AND TIREDā might just be my new favorite AS IT IS track. I canāt wait to see these tracks go off when theyāre played live, and I recommend checking these tracks out.
I canāt help but feel the band missed a trick not extending their collaboration single āIN THREESā by 28 seconds to make the track 3:33 in length. The song seeās the band teaming up with Set It Off and JordyPurp, to create a bass heavy track filled with catchy hooks, reminding me of something off Asking Alexandriaās 2017 self titled release. Both features on the song work really well. This then seeās the album going into āI HATE ME TOOā and āIāM GONEā which feel very Okay/The Great Depression era AS IT IS. I think these tracks are great.
Slowing the pace, āI DIE 1000Xā seeās the band going back to the more synthy nature of some of the previous songs. Since the first listen itās just reminded me of Take The Backseat, Caseyās āPhilophobiaā EP. āI CANāT FEEL A THINGā has an amazing build up and release style to it, whilst title track āI WENT TO HELL AND BACKā seeās a calmingly haunting end to whatās been an overall punchy, catchy, powerful album. It caps the album off perfectly.
āI WENT TO HELL AND BACKā shows the most range from AS IT IS. While the album feels like a collection of songs and is not as coherent stylistically all the way through as their past full-lengths, the tracks all keep to the same introspective themes lyrically. Itās great to see the band still not shying away from talking about mental health and their dark feelings, where most would choose to stay silent. Itās also nice to see the band both looking back and taking influence from the scenes past, whilst also forging ahead and forming their own style (even if it doesnāt always hit with me). For me this album occasionally misses but where this album hits, it smashes.
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