Starting off this EP is the very fast paced âdonât worryâ, the song instantly grabs you in itâs complex layers of noise. The repeated lyrics âYeah, Iâm good, Iâm fine, donât worryâ show how people constantly try to disguise the noises in their heads, when trying to hide their true feelings. The song also takes a chance to remind us not to worry âyou worry too much, put yourself in an early graveâ. The song doesnât drag on, saying what it has to say and then slowly fading away before two minutes have passed.
The EP then moves into âlistenâ which starts off with Thomas Coe-Brookerâs thumping drumming, before introducing Nicole Gill’s bassline, and then eventually Jim Heffyâs vocals. The song has a really nice mix of punk-y attitude and grunge-y undertones.
Title track âskeletonsâ stands out the most to me on this EP, a lovechild of indie and grunge songs past. The track points out to us that everyone is human, and that âbeneath it all, weâre all just skeletonsâ, telling us âcanât you just be kind?â and that behind walls âweâre all so delicateâ.
Back to throwing us about, âwishboneâ feels like weâve just been thrown down the stairs. I imagine this song would be fun to see live (when we get back to normality), I imagine it being a great messy circle pit song, throwing everyone in the audience around. âBugged Outâ takes itâs time, and is a nice contrast to the rest of the album’s fast paced nature, however does feel like it starts to drone on towards the end.
This volatile EP really shows off the great mix of genres that this band refers to as âgrit popâ, the whole EP feels raw and DIY, which works in its favor. I look forward to hearing more from snake eyes in the future as they hone their sound.
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